Added based on information received from Paul Harris. From Paul, regarding pennywhistles in reed 1: “Parts transposed so all can be read as for D whistle.” Regarding clarinet in reed 3: “Handy to have both B-flat and A clarinets. The opening is busy in F-sharp, much nicer in G!”
Added based on information received from Paul Harris. From Paul, regarding pennywhistles in reed 1: “Parts transposed so all can be read as for D whistle.” Regarding clarinet in reed 3: “Handy to have both B-flat and A clarinets. The opening is busy in F-sharp, much nicer in G!”